Mixed shuddh-komal exercise intermediate Scale: G Tempo: 108 BPM

Pasoori — Harmonium Notes (Coke Studio 14, Ali Sethi & Shae Gill)

Practice a Pasoori sargam excerpt with interactive playback, suggested scale, tempo, and step-by-step harmonium tips.

Play this tune on Web Harmonium — open the app and follow along with the sargam notation below.

Speed:
ReReNiNireNiniNiNiReNiNiReNireNirereNiDhaDhareNiDhaGaManiniNireniNiNiNiNiReReReGaMaMaPaMaGareGaReRereNireNireNiDhaPaPaPaMaGaReGaMaPaMaGaReNiNiNiRereNiReGaRereNiGaMaPaPaMaGaReReGareNiPaPaPaMaGaMaPaMaGaReSaNiNiReReGaMaPaMaGaRereNiSaReReNiNireNiniNiNiReNiNiReNireNi

How to Play Pasoori on Harmonium

Pasoori lives on the border between shuddh and komal notes: the opening line Re Re Ni Ni re Ni ni Ni asks for Ni, komal ni, and komal re inside a single phrase. This exercise follows phrases from the 2022 Coke Studio 14 performance by Ali Sethi and Shae Gill, produced by Xulfi. Set Sa to G and learn the altered notes before touching the tempo.

Song Background

The selected phrases are useful for hearing the difference between shuddh and komal swaras and for practicing repeated notes without rushing. The transcription is intentionally simplified for a two-octave practice tool and does not reproduce the lyrics or official score.

Raga Context

The selected phrases mix shuddh and komal swaras. Lowercase sargam letters in the transcription mark altered notes. This page describes the notes present in the exercise rather than assigning a classical raga to the complete song.

Key Information

  • Scale: G (Sa = G), with komal re and ni in this exercise
  • Time Signature: 4/4 (Keherwa feel)
  • Tempo: ~108 BPM
  • Player range: Sa to Ni (the excerpt stays within one octave)
  • Difficulty: Intermediate

Practice Tempo and Scale

The player is set to 108 BPM with Sa = G. Start at 80 to 90 BPM until the shuddh-to-komal movements are clean.

Step-by-Step Practice Guide

  1. Practice the komal transitions. Ni to komal ni and Re to komal re each move by one semitone; with Sa = G those are F# to F and A to G#. Lowercase tokens mark the komal notes.
  2. Master the rising figure. Ni Ni Ni Re Re Re Ga Ma Ma Pa Ma Ga ascends and then curls back.
  3. Read hyphen groups as separate notes. In this player a hyphen joins different notes into consecutive one-beat events, as in Re-Sa and Ni-Sa here. Do not hold them as one note.
  4. Hold the tempo back. Stay at 80 to 90 BPM until the altered-note changes are even, then work toward 108 with a metronome.

Frequently Asked Questions

What scale is Pasoori in? This exercise uses Sa = G with a mix of shuddh and komal notes. Follow the case of each sargam token to distinguish them.

What is the Pasoori BPM? The player is set to 108 BPM. Practice the opening at 80 to 90 BPM first.

Why does this excerpt sound different from a major-scale exercise? The selected phrases use altered swaras, especially komal re and komal ni, rather than staying in the all-shuddh Bilawal pattern.

Can beginners play Pasoori? The excerpt is marked intermediate because the komal-to-shuddh switching requires accurate semitone movement. Beginners can start with the first two lines.

What should I learn after Pasoori? Afreen Afreen adds wider register changes. Tu Jhoom provides a slower Coke Studio 14 exercise.